In a remarkable feat that challenges conventional boundaries, B. Alexis, an inmate currently serving a 30-year sentence, has become the first woman to release a full-length album from behind bars. Her project, “9th and Gasoline,” along with the single “Black Barbie,” is making waves thanks to Freer Records, a label dedicated to amplifying the voices of “prison-impacted” musicians.
A Voice from Within: ‘9th and Gasoline’
Freer Records and Alexis have chosen to keep her real name and incarceration location private, a decision made to prevent potential retaliation from prison staff against inmates involved in music creation. Unlike other artists who have faced consequences for using contraband cellphones, Alexis hopes her music will speak for itself, allowing her work to be the focus without adding to her existing sentence.
Alexis shared her perspective with The Marshall Project, relayed by her label: “I think the pros are well worth any risks. Anything I endeavor to do concerning my music is out of integrity, so the risks or consequences don’t bother me.” This dedication underscores the profound importance of her artistic expression.
The ‘Die Jim Crow’ Movement and Freer Records
Alexis is part of a select group of artists involved in Freer Records’ “Die Jim Crow” movement, the label’s original initiative focused on giving voice to incarcerated individuals. Based in New York, Freer is notably the only label exclusively working within prisons, collaborating with artists in Colorado, California, and another undisclosed state. BL Shirelle, the label’s co-executive director and producer of “9th and Gasoline,” detailed the logistical challenges, explaining how she learned to navigate negotiations with correctional facilities to bring in recording equipment, often building makeshift studios from PVC pipes and blankets.
Freer Records first discovered Alexis in 2019 during auditions at her facility. Her talent and story immediately captivated the team. Alexis, who was forced into sex work at 13 and later shot and killed a woman at 17, channels her experiences into her music. Shirelle noted the profound impact of Alexis’s lyrics, particularly her raw portrayal of survival, stating, “She uses everything as a teachable moment and doesn’t feel sorry for herself.”
Confronting Trauma, Offering Hope
Released in February 2026, Alexis’s album “9th and Gasoline” delves into her past, confronting personal trauma, including the pain of watching her son, Ja’mir, grow up behind prison walls and his subsequent unsolved homicide. Yet, amidst these heavy themes, the album also offers messages of hope and healing. The lead single, “Black Barbie,” features a deeply introspective performance where Alexis raps about feelings of inadequacy and the struggle to meet expectations, drawing parallels to young women in her community trying to “fake it ’til we made it.”
To promote “Black Barbie,” Freer Records created a symbolic video featuring a Barbie doll from Alexis’s birth year breaking free from its packaging, only to be re-handcuffed and returned to its box—a powerful visual representation of her journey and the limitations she faces.
Despite the album’s release and Alexis’s face appearing on the cover, she has not faced retaliation from her facility. Both Alexis and Freer Records hope this continues, allowing her powerful voice to be heard.
What are your thoughts on B. Alexis’s groundbreaking album release? How important is it to amplify the voices of incarcerated individuals? Share your perspectives in the comments below!
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