Tag: Touring

  • DJ Akademiks: Touring Is Killing Hip-Hop

    In the ever-evolving landscape of hip-hop, DJ Akademiks has thrown a controversial take into the ring: constant touring might be killing the genre. This comes at a time when tours by artists like Kendrick Lamar, SZA, NBA YoungBoy, and Playboi Carti are achieving massive financial success, raising questions about where the focus truly lies for today’s artists.

    The Profitability of the Road

    During a recent livestream, Akademiks, also known as Ak, suggested that artists are increasingly prioritizing touring over music creation because it’s simply more profitable. He noted that many of the hottest artists are constantly announcing tours, with some, like Drake, seemingly never stopping. This trend, he believes, is a “re-correction” from the pandemic when live performances were impossible.

    Ak pointed out that the traditional hip-hop model, where an artist might drop a successful album and then embark on a major tour, has shifted. Now, it seems common for artists to release an album and then go on multiple tours, participate in numerous festivals, and then disappear for a couple of years. This constant cycle on the road, he argues, detracts from the creation of new, impactful music.

    Is Rap Music Declining?

    The caption accompanying a clip of his commentary on Twitter explicitly stated: “Akademiks says RAP is DEAD because of TOURING.” While he acknowledged that his comments might apply to music more broadly, he used hip-hop examples to illustrate his point. The implication is that the focus on touring revenue might be stifling innovation and the development of new sounds within the genre.

    This perspective challenges the notion that touring success directly equates to the health of the music itself. Akademiks suggests that while artists might be making more money, the overall quality and evolution of hip-hop music could be suffering as a result of this touring-centric approach. It raises the question: are we witnessing a golden age of hip-hop touring at the expense of its creative future?

    • DJ Akademiks claims constant touring is harming hip-hop music.
    • He argues that touring has become more profitable than releasing new music.
    • This trend is seen as a post-pandemic “re-correction” where artists focus on road shows.
    • Akademiks suggests this touring model leads to artists disappearing for long periods between albums.
    • His commentary implies a potential decline in the quality and innovation of rap music.

    As hip-hop continues to evolve, DJ Akademiks’s controversial take prompts a necessary conversation about the balance between live performance revenue and the creation of groundbreaking new music. What do you think – is touring truly killing hip-hop?

    Do you agree with DJ Akademiks that constant touring is detrimental to hip-hop? Let us know your thoughts in the comments below!

  • Gabby Samone on Touring, ‘American Idol,’ and Mariah Carey

    At just 23 years old, Gabby Samone has already achieved milestones many aspiring artists dream of for years. From her roots in the Black church to viral fame on TikTok and a finalist spot on “American Idol,” Samone is rapidly emerging as a captivating young vocalist with a powerful voice and a compelling story.

    From Church Harmonies to Viral Fame

    Raised in a musically gifted family in Baltimore, Samone initially thought her singing talent was common. “I thought everybody could sing,” she shared with BOSSIP. However, as she grew older, she realized her gift was indeed special, nurtured by the gospel harmonies of her father’s church and her upbringing. This foundation has propelled her career, leading to opening slots for R&B veterans like Kelly Price and Keke Wyatt, and appearances on “The Jennifer Hudson Show.”

    Her breakthrough moment came with a soaring rendition of Mariah Carey’s “My All” on TikTok, which went viral during the #MyAllChallenge. The cover caught the attention of the legendary Ms. Carey herself. “It was crazy,” Samone recalled. “I went from 3,000 followers to 50,000 in two weeks. It really changed the trajectory of my life. I was going to do hair. God was like, ‘No, we’ve got more for you.’”

    The ‘American Idol’ Experience and Vocal Refinement

    Samone’s journey also included a transformative experience on “American Idol” Season 23, where she became a finalist. She described the competition as a “masterclass of legends,” highlighting the intense training and the valuable friendships formed. “We still FaceTime each other to this day,” she said.

    She credits her vocal coach with helping her refine her sound and technique. “I used to sing any kind of way and was using my voice wrong,” Samone admitted. “Training taught me how to control it. I still have so much to learn, but honing your gift is everything.”

    Introducing Her Original Music

    As she prepares to release new original music later this year, Samone is eager to share her own story beyond the covers that initially brought her attention. “This project is about a 23-year-old figuring things out — the rawness, the ups and downs,” she explained. “People know my voice, but now they’ll get to know me.”

    Grounded by her upbringing, which emphasized discipline and generosity through her parents’ work in the church and community outreach, Samone remains focused on her goals. “I’m still learning who I am,” she told BOSSIP. “What I know now is I’m hardworking, I want to do right, and I want to touch people with my voice.”

    What are your favorite Gabby Samone covers or original songs? Share your thoughts in the comments below!

  • Drake Not Afraid of LA, Promises Return

    Drake is setting the record straight regarding his absence from Los Angeles following his highly publicized feud with Kendrick Lamar. In a recent interview with Bobbi Althoff, the Canadian superstar shut down rumors that he’s afraid to return to the West Coast, promising fans that he’ll be back on American soil for touring soon.

    Addressing the LA Rumors

    When Althoff directly asked Drake if he was scared of LA, the rapper firmly denied it. He pointed out that he had recently completed an American tour shortly after the feud erupted in 2024. “I did,” he stated, clarifying that tours don’t happen constantly. “I’ll be back.”

    This reassurance comes as Drake gears up for the release of his new studio album, reportedly titled ‘Iceman.’ In the meantime, he’s currently on tour with PartyNextDoor across Europe, with more dates scheduled in France and Germany throughout the month.

    Culture Vulture and Personal Allegations

    The conversation with Bobbi Althoff also touched on other headlines Drake has been making. He addressed accusations of being a “culture vulture” in the music industry, defending his collaborative efforts and the artists he’s supported. “My intentions are pure,” he argued, expressing sensitivity to the negative spin placed on his work.

    Drake also laughed off rumors about undergoing ab surgery and receiving a BBL, playfully responding to the nickname “BBL Drizzy.” These lighter moments provided a contrast to the more serious discussions about his career and public image.

    Focus on New Music and Future Tours

    With the upcoming album ‘Iceman’ on the horizon and his European tour underway, Drake seems focused on his music and connecting with fans globally. His promise to return to the US suggests that fans in Los Angeles and beyond can anticipate new tour dates in the near future.

    Are you excited for Drake’s return to touring in the US? What are your thoughts on his recent interview? Let us know in the comments below!

  • Eve on Touring as a Mom: ‘I Have a Double Life’

    Eve is proving that motherhood and a rap career can coexist beautifully. The legendary emcee is back on the road, co-headlining Nelly’s “Where The Party At Tour,” and she’s doing it with a new perspective. As the sole female performer among a sea of male artists, Eve embraces her role, not just as a performer, but as a representative for women in the industry.

    Motherhood and the ‘Calm Chaos’ of Touring

    While being the only woman on tour might seem daunting, Eve finds it “normal.” However, she acknowledges the responsibility that comes with it. “Knowing that yes, I’m the only female on this tour— my choreography is a certain way. I have two female dancers as well. It’s normal, but at the same time, I do have to show up because I feel like I am representing for the females that are coming to the show as well,” she explained.

    Her touring experience has transformed significantly since her earlier days. Instead of an entourage of friends, Eve is now accompanied by her son, Wilde Wolf, and her mother, Julie. She describes this new dynamic as a “calm chaos” she cherishes. “Back then, we were crazy,” she recalled. “Now, it’s like we get on the bus, make sure the baby’s in bed. [I’m] making a cup of tea. It’s so different [and] so nice.”

    A New Outlook on Life

    For Eve, motherhood has brought a profound shift in her perspective. “I have a whole new life and outlook on life because of my kid, and that is so nice,” she shared. Seeing the world through her observant three-year-old son’s eyes reminds her to stay present and appreciate the simple moments. “When your kids are so in the moment, everything that they do is in awe. I think that’s something that I love when I’m with him, he takes me out of my head.”

    While “the party” for Eve might now be at home, she and her husband, Maxmillion Cooper, make sure to prioritize their relationship with regular date nights. She feels she’s not missing out on anything, describing her life as having a “double life.” One moment she’s rehearsing for tour, the next she’s discussing nursery details with her mom friends, who often come from different professional backgrounds like finance or medicine.

    What’s Next for Eve?

    Eve’s “Scorpio nature” keeps her seeking new challenges. She’s considering penning another book, this time focusing on motherhood, exploring behind-the-camera roles in TV/film projects, potentially reviving her ‘Fetish’ clothing line, or returning to the studio for new music. Whatever her next move, Eve is ready for the challenge, embracing the evolution of her career and life.

    What do you think of Eve’s approach to balancing motherhood and her music career? Share your thoughts in the comments below!