Hold up! It seems like a recent ranking by Max B has ruffled some feathers in the hip-hop community. While Max B is enjoying his post-prison comeback, his comments about where he stands among New York’s rap elite have sparked a debate, particularly his placement of himself above legendary figures like Rakim and Big Daddy Kane.
Max B’s Bold Ranking
During an appearance on “Million Dollaz Worth Of Game,” Max B shared his controversial take. He placed himself below icons like Nas, Jay-Z, and Biggie, but notably above Rakim, Big Daddy Kane, and LL Cool J. His reasoning? He argued that his own catalog, including mixtapes, surpasses Kane’s, and pointed out that Kane wasn’t as visible during his prison sentence, stating, “I ain’t seen that n***a since 1987.”
Max B even elaborated on his feelings about Big Daddy Kane’s later work, mentioning nude photoshoots as a point where he felt the legendary rapper strayed from his “Sexual Chocolate” persona. While Max B insisted he doesn’t have issues with Kane, his comments clearly didn’t sit right with everyone.
Fat Joe and Tony Yayo Sound Off
Enter Fat Joe and Tony Yayo. These two weren’t about to let Big Daddy Kane’s legacy be downplayed. In a recent livestream, Fat Joe made it clear that despite his support for Max B (also known as Biggavell), disrespecting a legend is a no-go. “Can’t downplay the man’s contribution to hip-hop,” Joe stated firmly. “Can’t disrespect Big Daddy Kane or none of the legends.”
Tony Yayo added his voice, emphasizing that Max B needs to “stay humble.” He then proceeded to list some of Big Daddy Kane’s undeniable accomplishments, including seven certified albums and even famously crossing paths with Madonna. Yayo acknowledged the hustle of artists like Max B and French Montana but stressed that Kane’s impact on hip-hop is foundational.
- Max B ranked himself above Big Daddy Kane on a NY rap power list.
- He cited his own catalog and Kane’s post-1987 visibility as reasons.
- Fat Joe defended Kane’s legendary status and contributions.
- Tony Yayo highlighted Kane’s seven certified albums and cultural impact.
This exchange highlights the deep respect many artists have for the pioneers of hip-hop. While new artists are always pushing boundaries, the foundational work of legends like Big Daddy Kane remains a crucial part of the genre’s history.
What are your thoughts on Max B’s ranking of Big Daddy Kane? Do you agree with Fat Joe and Tony Yayo’s defense? Let us know in the comments below!